Viewing the built world much like he views the natural world, Kesara is particularly interested in the aspects of life that are in constant motion.  These vignettes of Ho Chi Min document the vibration of the sprawling metropolis, the character of a place.  Particularly interested in the changes in society, Kesara shoots a changing Asian nation that is alive, breathing, imperfect, transforming.  Like many societies around the world, change comes in quicker everyday with rapid halts and starts.  The ways in which cities begin to change in their landscape is evidence of that.